全國音樂比賽鋼琴用譜

Schumann：Arabeske op. 18 / Blumenstück op. 19 for Piano【Urtext】 舒曼：阿拉貝斯克 op. 18 / 花之歌 op. 19【原典版】

舒曼為浪漫派德國作曲家，對鋼琴曲創作貢獻最顯著，音樂與文學的詩緊密結合在一起，顯露出舒曼深厚文學造詣，將鋼琴轉化成獨特的詩情與想像力，以暗示和引用為背景完成整個樂曲，如同詩人將感情濃縮於詩中，串聯成一首首「套曲」，洋溢豐富浪漫詩情。「阿拉貝斯克 op.18，花之歌 op.19」鋼琴演奏樂譜集。

Bärenreiter-Verlag　商品編號：BA10865

原文書名 Schumann, Robert Arabeske op. 18 / Blumenstück op. 19 for Piano 編訂者 Stüwe, Holger M. 總頁數 20 S. - 31,0 x 24,3 cm 特徵 西洋古典 適用對象 高級學生 演奏級 古典作曲家 舒曼 Schumann, Robert

【前言】 Arabeske op. 18 / Blumenstück op. 19 for Piano - Evaluation of all available sources on the basis of the latest findings in Schumann scholarship - Notes on the historically informed performance of Schumann's piano music (Ger/Eng) - Clear and uncluttered engraving with practical page turns Schumann's “Arabeske” and “Blumenstück” were both composed while he was living in Vienna from October 1838 to April 1839, and are thus companions to such major piano pieces as the “Fantasy in C major” (op. 17), the “Humoresque” (op. 20) and the cycles “Nachtstücke” (op. 23) and “Faschingsschwank aus Wien” (op. 26). Unlike these masterpieces, they are more ingratiating, possibly as a concession to the Viennese public; but whether the “Arabeske” is a “delicate piece for the ladies”, as Schumann once maintained, is open to debate. For our new edition of these popular pieces the editor has re-evaluated the surviving sources, devoting special attention to the placement of slurs and incorporating the latest findings in Schumann scholarship. Rounding off the volume are a clear and uncluttered engraving, practical page turns and informative notes on historical performance practice by Sezi Seskir, a fortepiano specialist from Bucknell University (Lewisburg, PA) with a special interest in Schumann's pianism as well as 18th- and 19th-century performance practice.

【目錄】

Hinweise zur Aufführungspraxis Vorwort Preface Notes on Performance Practice Composer / Author：Schumann, Robert Arabeske / Arabesque op. 18 Instrumentation：Piano Composer / Author:：Schumann, Robert Blumenstück / Flower Piece op. 19 Instrumentation：Piano Critical Commentary

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