德國亨樂版鋼琴譜TOP100

 

ERIK SATIE

Gnossiennes

 

Ulrich Krämer (Editor)

 

Urtext Edition, paperbound

Pages 27 (VIII+19), Size 23,5 x 31,0 cm

Weight 138 g

HN 1073 · ISMN 979-0-2018-1073-7

Further editions of this title

 

Like the "Gymnopédies", the "Gnossiennes" also allude to ancient Greek traditions. Perhaps inspired by the World Exhibition in Paris in 1889, Satie made use of oriental ornamentation. With his subtle intuition for musical tendencies that were "en vogue", he combined exotic elements with influences from cabaret music and, of course, his own ideas to create something very new. Several of the "Gnossiennes" take one by surprise on account of puzzling fragments of text between the lines of music. According to Satie they were not supposed to be read aloud but to create a secret link between composer and player - a creative challenge, which we are passing on to present-day musicians in our Urtext edition.

與“Gymnopédies”一樣，“Gnossiennes”也暗示了古希臘的傳統。 也許是受到 1889 年巴黎世界博覽會的啟發，薩蒂利用了東方裝飾。 憑藉他對“流行”音樂趨勢的微妙直覺，他將異國情調的元素與歌舞表演的影響相結合，當然還有他自己的想法來創造一些非常新的東西。 幾首“Gnossiennes”由於樂曲之間令人費解的文本片段而讓一個人感到意外。 根據薩蒂的說法，他們不應該被大聲朗讀，而是要在作曲家和演奏者之間建立一個秘密的聯繫——一個創造性的挑戰，我們正在我們的 Urtext 版本中將其傳遞給當今的音樂家。