德國亨樂版鋼琴譜TOP100

 

JOHANNES BRAHMS

3 Intermezzi op. 117

 

Katrin Eich (Editor)

Andreas Boyde (Fingering)

 

Urtext Edition, paperbound

Pages 23 (VII+17), Size 23,5 x 31,0 cm

Weight 114 g

HN 1042 · ISMN 979-0-2018-1042-3

Further editions of this title

 

The three popular Intermezzi op. 117 can be seen as the epitome of Brahms’ late work for piano. Clara Schumann confessed: “In these pieces I at last feel musical life stir once again in my soul”. Brahms reacted, as he often did, in a rather brusque manner. Although he sometimes described the three Intermezzi as being “Wiegenlieder” (lullabies), he formally rejected this title: “It should then say, lullaby of an unhappy mother or of a disconsolate bachelor.” The new edition of these moderately difficult Intermezzi (level of difficulty 5/6) has now been revised following the musical text of the Brahms Complete Edition, and has fingerings by Andreas Boyde.

三首流行的間奏曲作品。 117可以看作是勃拉姆斯晚期鋼琴作品的縮影。 克拉拉舒曼坦言：“在這些作品中，我終於感覺到音樂生活再次在我的靈魂中激盪”。 正如他經常做的那樣，勃拉姆斯的反應相當粗魯。 儘管他有時將這三首間奏曲描述為“Wiegenlieder”（搖籃曲），但他正式拒絕了這個標題：“應該說，搖籃曲是一個不快樂的母親或一個憂鬱的單身漢的搖籃曲。” 這些中等難度的間奏曲（難度級別 5/6）的新版本現已根據勃拉姆斯完整版的音樂文本進行了修訂，並由安德烈亞斯·博伊德（Andreas Boyde）指法。