德國亨樂版鋼琴譜TOP100

 

LUDWIG VAN BEETHOVEN

Piano Sonata no. 14 c sharp minor op. 27 no. 2 (Moonlight)

 

Norbert Gertsch (Editor)

Murray Perahia (Editor, Fingering)

 

Urtext Edition, paperbound

Pages 30 (XII+18), Size 23,5 x 31,0 cm

Weight 148 g

HN 1062 · ISMN 979-0-2018-1062-1

Further editions of this title

 

“Sonata quasi una fantasia” was the title given to it by Beethoven, and yet the world of music knows it as the “Moonlight Sonata” – an epithet that was already around during the composer’s lifetime. “The lake rests quiet under the light of the moon at twilight; the wave thuds against the dark bank”, wrote Ludwig Rellstab on the 1st movement in 1823. “It is as if we catch sight of a colossal grave in the middle of a lonely plain, palely lit by the sickle moon”, was what Wilhelm von Lenz wrote. Beethoven might have been influenced by the sound of the Aeolian harp, as Murray Perahia and Norbert Gertsch explain in the introductory texts to this edition, referring to the latest research. Perahia also provided the fingerings.

“Sonata quasi una fantasia”是貝多芬給它的標題，然而音樂界卻把它稱為“月光奏鳴曲”——在作曲家有生之年就已經存在這個綽號。 “黃昏的月光下，湖水靜謐； 1823 年，路德維希·雷爾斯塔佈在第一樂章中寫道。 馮·倫茨寫道。 正如 Murray Perahia 和 Norbert Gertsch 在本版的介紹性文本中解釋的那樣，貝多芬可能受到了風神豎琴的影響，並提到了最新研究。 Perahia 還提供了指法。