Brahms, Johannes
Trio for Violin, Violoncello and Piano op. 101

- Includes important information on performance practice of the day (Ger/Eng)
- With a detailed critical commentary (Eng)

Edition no.：BA09437
ISMN：9790006541119

Detailed product information：
Volume / Series：BÄRENREITER URTEXT
Editor：Hogwood, Christopher
Instrumentation of the work：Piano trio
Language(s) of text：English, German
Product format：Performance score, Part, Urtext edition
Instrumentation：Violin, Violoncello, Piano
Binding：Stapled
Pages / Format：XIV, 44/11/10 S. - 32,5 x 25,5 cm

Christopher Hogwood’s scholarly-critical edition of Brahms’ final and perhaps greatest trio op. 101 is based on two main sources, the first edition and the autograph.
The foreword of this edition presents information on contemporary performance practice; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden-Baden in approx. 1895.
Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations; in short exactly those aspects of performance practice where we lack real direction.

克里斯托弗·霍格伍德 (Christopher Hogwood) 對勃拉姆斯 (Brahms) 的最後一部也許是最偉大的三重奏作品的學術批判版。 101 基於兩個主要來源，第一版和親筆簽名。
本版的前言介紹了當代表演實踐的信息； 霍格伍德借鑒了勃拉姆斯學生范妮戴維斯的評論來闡明這一點。 她描述了勃拉姆斯在巴登巴登的一次非正式閱讀（克拉拉舒曼翻頁）中如何與約瑟夫約阿希姆和羅伯特豪斯曼演奏三重奏。 1895 年。
戴維斯的描述與發音、動態和節奏波動有很大關係。 簡而言之，正是表演實踐中我們缺乏真正方向的那些方面。

Content：
·Introduction
·Einführung
·Composer / Author:Brahms, Johannes
Trio for Violin, Violoncello and Piano op. 101
Instrumentation:Violin, Violoncello, Piano
·Facsimiles
·Critical Commentary