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The Marriage of Figaro K. 492
This study score is based on Ludwig Finscher’s 1973 edition of ‘ Le nozze di Figaro’ published in the ‘ New Mozart Edition’ and the critical commentary by Ulrich Leisinger published in 2007.
Many of the sources for Mozart’s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ‘ New Mozart Edition’ volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków , significant portions of the original sets of parts and acts 2 to 4 of the conductor’s copy from the first performance of 1786.
These original sources, now available again, offer compelling solutions to several previously unresolved questions, and are reproduced in this study score.
- Edition based on the Urtext of the ‘New Mozart Edition’ reflecting the latest musicological research
- With findings from original sources now available again
- Detailed foreword (Ger/Eng)
Edition no.: TP 320 ISMN: 9790006204618 Composer / Author: Mozart, Wolfgang Amadeus Title: The Marriage of Figaro K. 492 Opera buffa in four acts Detailed instrumentation: Soprano solo (5), Tenor solo (2), Bass solo (4), Mixed choir, Flute (2), Oboe (2), Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings, Basso continuo Librettist: Da Ponte, Lorenzo Editor: Finscher, Ludwig Foreword / Introduction: Finscher, Ludwig Product format: Study score, Urtext edition Comments on the edition: Realization of the continuo in the recitatives: Heinz Moehn Language(s) of work: Italian Language(s) of text: German, English Duration (approx.): 03:00:00 Publisher: Bärenreiter Binding: Paperback Print run: 1. Aufl. 2011 Pages / Format: XXXIV, 709 S. - 22,5 x 16,5 cm Weight: 1436 g •Zur Edition•Vorwort•Editorial Notes•Preface•Index of Scenes and Numbers•Sinfonia•Atto primo•Atto secondo•Atto terzo•Atto quarto•Anhang:•I: Ersatznummern für die Wiener Aufführungen 1789/1791•II: Originale Bearbeitungen•III: Skizzen, Entwürfe und Fragmente•Nachtrag 1997/2002•Nachtrag 2010•Addendum 1997/2002•Addendum 2010•No: 15: Duettino: Rezitativfassung
Wien 1786?•No. 18: Aria mit der späteren Fassung des zweiten Teils
Wien 1789/1791•No. 19: Sestetto: Ursprünglicher Bläsersatz von T. 88-124•No. 20: Aria: Spätere Fassung
Wien 1789?•No. 23: Finale: Fassung ohne Fandango
Wien 1786•No. 25: Aria mit Obligatstimmen Flauto und Fagotto
Wien 1786?•No. 28: Aria: Ursprüngliche Fassung der Uraufführung von 1786•Atto quarto, in Scena XI: Gestrichene Arietta (Cherubino) vor No. 29 Finale